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Single Trunk Styles


Chokkan—Formal Upright

The formal upright style is characterized by a perfectly straight, vertical trunk, with branches placed at specified positions. The image is of a lone, stately tree, unbent by catastrophe or climate. One of the most difficult styles to properly achieve, as root base, trunk, branching, and foliage, must all be ideal to truly aspire to a great formal upright tree.
To the left we see a stately, nearly perfect formal upright natural tree (Jeffrey pine) at about 8,000 feet elevation. While this tree has obviously been blasted by ice, ultraviolet radiation, and other extremes of nature, its symmetry and austerity show it to be a fabulous example in nature of the formal upright.
 

Tachiki—Informal Upright

The primary characteristic of the informal upright tree is its trunk movement, right to left, and back to front. It may be very gentle in its movement, or more bold and dynamic, as seen at the right in this Chinese  Hackberry (Celtis Sinensis.) Its branches originate at the outside of trunk curves, and the apex is directly over the root base. This is a more commonly seen style because it is more common in nature.


Shakan—Slant

The slant style tree is reminiscent of the wild tree fallen to one side because of weak soil, or of a tree pushed over by rockslide or other cataclysm. The trunk may have some movement.

Kengai—Cascade


Illustrating perfectly the tree which clings to the cliff face in spite of incredible odds, the cascade falls over the lip of its tall pot at an angle between approximately 135 degrees and 270 degrees, or about 4 o’clock and 6 o’clock.

Han-Kengai—Semi-cascade

The semi-cascade, much like the cascade, cannot be called an upright style. Instead of moving upward, the general thrust of this tree is to the side and downward to almost 4 o’clock.

Bunjin or bunjingi—Literati

The literati style (left, Ponderosa Pine)  is said to have begun as a result of the bonsai masters going beyond their teachers and the conventions of bonsai to realize the serene beauty of the natural tree. This style is characterized by long, stately trunks with unusual movement, and sparse branching and foliage. Many of the trees collected in nature defy categorization. Their struggle against the vicissitudes of nature have left them with an aura of strength, endurance, venerability. This is the image the bunjin tree attempts to evoke.

 

Sabamiki—Split or Hollowed Trunk

Whether pestilence or calamity, the tree that survives being split in two speaks to us of the struggle inherent in overcoming adversity.

Sharimiki—Driftwood

The sharimiki style reminds us of the vicissitudes of life, the misfortunes that must be overcome. The large areas of deadwood testify to the heroic epic of life overcoming death. This title is used when the predominant characteristic of the tree is the deadwood. Nowhere is this more evident than in the blue spruce at right. I came on this tree at about 9,000 feet elevation in Colorado.

 

Fukinagashi—Windswept

Giving the impression of the shoreline tree lashed by storm and wind, the windswept style speaks volumes. Considered by some masters to be overused as a result of poor nursery stock. Ben Oki says “One windswept tree is enough for anyone.”

Neagari—Exposed Root

As the stream floods, the bank collapses, leaving the roots exposed to air and sunlight. The roots become stronger in order to support the tree. The exposed root style mimics this process, although the style has somewhat fallen out of favor in recent years. The Japanese Black Pine (Pinus Thunbergii) on the left stands firmly on its long roots. It is in the process of a complete restyling.

 

Sekijoju—Root Over Rock

This title is reserved for the tree that has clasped the rock, with the roots reaching down into the soil. The Trident Maple is very popular in this style.

Ishitsuki—Clinging to Rock

The Clinging to Rock tree is like the Root Over Rock, except that the root ball is contained by the rock itself. The tree survives in a small pocket of soil.

Nejikan—Twisted Trunk

The wood of the twisted trunk style gives the impression that the tree has grown in the heart of a whirlwind. Any deadwood spirals dizzyingly around the trunk.

Takozukuri—Octopus Style

Favored many years ago, every inch of wood on the octopus style tree is contorted much like that beloved sushi source.
 

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Copyright 2005 Sashi-eda Bonsai. No part of this site may be reproduced without explicit written permission. All photographs copyright 2005 by Christopher Johnston